Film Thoughts with Peter Tilley Producer and Actor

Peter Tilley, actor and producer took time to talk to us about his latest co-project: The Foreboding: Fractured, and share his insights from not just this project but what the future holds for him as a creative.

You have been working on promotion for your most recent project The Foreboding:  Fractured, where you are part of the cast. Can you tell us more about the project and  your involvement?  

Back in the summer of this year I messaged my good friend Alexander Staunton-Hill, who is  an incredibly talented writer and actor. I said how I wanted to put my own spin on a teen  horror story and make a film specifically for the Horror-On-Sea Film Festival in January  2024. Not long later, he returned with a fantastic script that completely elevated the idea of  that take on a group of teens coming face to face with a deadly enemy in the woods. We  soon took this into production, undertaking the casting process and filming just a matter of  weeks later. I took on the credit of producer for this film, along with playing one of the titular  roles as Aaron. Balancing both learning lines and taking on all of the producer  responsibilities was certainly a challenge, but this allowed me to gain great experience within  the film industry and help to create something fresh and exciting.  

The film follows a group of university students who have just finished their first year of Uni  and decide to go on a little camping trip into the woods to celebrate, however this trip won’t  be so plain sailing as they soon encounter a deadly presence lurking within the forest.  However there’s a lot more to this story than meets the eye, for this isn’t your stereotypical  teen horror flick. What fates lie ahead for Aaron, Connor, Abigail and Lauren?  

As an actor what challenges did you face involving yourself in The Foreboding:  Fractured and how did you overcome them?  

There was quite a few issues that came up on set, some of which were completely out of our  control. For example, we were shooting for long hours going into the night and was hit by a  thunderstorm with torrential rain, temperatures hitting low figures in the early hours of the  morning not having very warm layers of clothing on. Filming these scenes out in the open on  a farm in the middle of Sussex with this bad weather certainly proved tricky, but we got  through those obstacles as a team still gaining good results. 

Which side of the camera do you prefer working and why?  

I’ve been fortunate to have experienced both now, however I am primarily an actor and  mostly enjoy working infront of the camera, portraying different characters and bringing  these scenes to life. Saying that, I worked as a producer on this film which was enjoyable  and would certainly dip my toes into that role again in the future, so it is fun to work on both  sides of the camera. It’s mesmerising to see how a production all comes together from either  side. I would never rule anything out! 

What have you got planned next as a creative that you can share and how can people  find out more about you and your work?  

We’ve got BIG plans for The Foreboding, so I will mainly be putting all my attention on that  going forward. I’ve got some other projects lined up for the year ahead but am just waiting  on getting schedules for those films, which I’m very much looking forward to shooting. You can find me on multiple social media platforms, on Twitter (or X now as it’s called!) at  PeterTilley20 and on Instagram with the handle @Tilley.Peter. You can follow the official page  for The Foreboding @theforebodingofficial and tickets are now available to purchase for the  film via horror-on-sea.com with it’s world premiere screening at the Horror-On-Sea Film  Festival on Saturday 20th January 2024!

To learn more about the film see:

IMDB The Foreboding: Fractured.

Horror Scream Video Vault Interview.

Blazing Minds Interview.

Podcast Interview.

Introducing Screaming Unicorn Productions

In the current content hungry world we find ourselves talking to Screaming Unicorn Productions, based in Glasgow, and making films for the world, they have already garnered numerous festival accolades for their short horror films and quest to bring cinematic projects to a worldwide audience.

A close knit group, they welcome new faces and talents who join the team whose passion for films shines out in their grindhouse style of horror filmmaking and gives them something of a unique look that works well and keeps the content flowing as well as creating opportunities such as their latest project (crowdfunding is underway) Skelf a Christmas Horror, which judging by previous projects will be a critical success and garner the team more accolades to add to the growing list.

Open to the potential of collaboration, the Screaming Unicorn productions ethos is about community and learning with each project opening up the chance to expand on skills or add to your repertoire by being part of something new, a really clever way of building not just a network but making film accessible and something The Lost Creatives approves of.

From a purely artistic stance, horror offers the most potential for creativity and fun in film, making this a concept that works and opens up (creaking) doors to festival accolades and commercial sales with the digital download market.

To learn more about the company or to support their new project via their crowdfunding campaign see:

Skelf: A Christmas Horror Short Fundraiser.

Screaming Unicorn Productions Website.

Screaming Unicorn Productions YouTube.

Screaming Unicorn Productions Instagram.

Screaming Unicorn Productions Facebook.

Frustrations Within Casting

Being an actor or working in the creative arts has always been something of a passion led career path with many feeling they cannot get a foot in the door thanks in part to the ability to gain parts, an agent, or that elusive and somewhat necessary profile with the #1 casting directory. This has come to a head now and people are feeling pushed out with the system being called elitist, we at the lost creatives wanted to share some insights and options that are gaining ground and opening doors to people with a few added options that even at the lowest budgets, can make the dream become a reality with strategic work and a little planning.

As regular readers will know, we advocate for indie film and the creative talent behind it from the cast to the crew with our own allegiances being openly stated.

We are happy to endorse creative and commercial avenues of filmmaking with companies such as New Village Video and HOD TV being two of our favoured routes,

*It is worth noting that HOD TV has parameters that you need to match to get through their vetting process, we have this in a document and will share with those who require it through email.

In casting terms, it is not quite as simple, there are certain sites and companies that have all but cornered the market and are seen as the gold standard, this however, has been changing slowly and we want to talk about 2 of those options and are open to hearing from new services that may appear or alternative options at any time.

vShowcards: a game changing paid for service with a dedicated team who not only help and support their members with advice, but a multi-faceted company that takes on actors and crew giving them a manageable route to showcase themselves and promote their skills to multiple audiences and welcome new and established talent because the site was built by actors, there is more understanding of the challenges out there.

Casting Callback: a free at point of use service for the UK, I personally checked out the layout and actors pages to see how it works and I am impressed, the company ethos is simple, they want to the creative arts to be open to all backgrounds making it one of the best of the free services for its open platform and honest approach to the industry.

With just these 2 options under your belt, it offers up scope in particular to new entrants, and with the media market slowly getting back on its feet with global financial concerns, it shows that no matter what your background, no matter your financial status as an actor or filmmaker, there is a means to promote and market yourself and fortunately, in this content hungry age, platforms available to sell your work.

Lost Creatives will be using these platforms both for casting and for promotion over the next year and focusing on opportunities outside the mainstream with digital TV and film being our goal and of course, supporting creatives across the spectrum with the blog being open to those who need support to promote their projects.

We will be talking in our next blog about commercial avenues for short films and touching on team building for projects with small budget.

Indie Film Thoughts

There is a lot of concern at the moment with the BBC daytime drama Doctors being cancelled, it was a mainstream way for people to gain a foothold in the industry and seen as a staple of daytime TV for many. People are naturally, wondering what this means for those entering the media market from the cast side to crew.

Changes to the market are always difficult to navigate and people are now looking for alternative avenues within the mainstream but overlooking the potential of commercializing ideas in the indie sector and utilizing avenues that are already in place such as HOD TV and the fantastic New Village Video whose platform is focused on the indies and the classic old school “straight to video” movies or the more familiar “streaming service original.”

Talks are underway for collective motion to pull new and emerging talent into pools and building something fresh. What this means is the indie scene has an opportunity to build a new network, a new platform and create.

With this in mind The Lost Creatives is willing to support and to start we want to share the books and sites we feel will be a major benefit to this:

Distribution and sales avenues.

HOD TV submissions a specialist in horror and thriller, the terms are fair and commercialization is possible, a full breakdown of the requirements is available, just drop us an email and we can share the details.

New Village Video, a friendly, open minded team who accept all genres of film and advocate for the indie scene while supporting and selling projects with success.

Books

Don’t F*ck Up Your No Budget Movie by Ivan Peric, a fantastic and personal insight into creating a feature film with a low budget, Ivan talks about the perils and offers up his own tried and tested path to creating a film and getting it sold by planning strategically. A real must read and a part of the lost library of books.

Opening Doors For Working Class Actors by Patricia Jones, a wonderful and open insight into the world of an actor giving you a clear and honest way to start out as an actor. Patricia Jones is a wonderful lady who talks honestly about her journey and gives pointers to those who would otherwise feel they cannot make the leap into the arts.

Cast and Crew

vShowcards, an alternative to the main networking and actors/crew sites, vshowcards is actor run and supported by various casting agents, production houses across the world, and offers a cohesive platform for you to market yourself to the media landscape.

Over the next few weeks we will be exploring avenues of marketing and other elements of the creative industry with a view to showcasing the potential for the indie scene.

Talking Theatre With HeadlessActing

Theatre is a major part of the cultural scene and we are happy to talk to one of the people aiming to put Scottish talent on the map with a series of shows aimed at the stage and building on their own experiences in the field, from sourcing funding to casting, HeadlessActing is pushing the envelope of the creative arts.

Why don’t you start by introducing yourself and telling the lost audience what you do in the creative arts? 

My name is Brandon Ferguson and I’m an Actor and writer.  Recently, I created the production company ‘Headless Acting’ as a way to produce and perform some of my own  pieces of writing. Currently, HeadlessActing is working on two plays with a third being in early development.

You have been talking on social media about your recent Fringe show and plans to do more stage work from a Scottish perspective, can you tell us more about that? 

Yes, I have just finished my first ever run at The Edinburgh Fringe Festival, I was playing ‘Peter’ in “Alba” which was written by Jack Byrne and Jordan Howat of ‘Action Theatre Scotland’. I had a wonderful time working on that. I’d never smiled more in my entire life, on the stage and off.

Once the Edinburgh Fringe was over I was just so eager to jump into something else, I decided it was time to create my own work. The Theatre industry in Scotland is dying a slow and painful death, whether that’s to do with ticket prices or even just that theatre is seen as “posh.” I wanted to fix that. I wanted to bring in a brand new audience, reach people who may never have stepped inside a theatre before. 

I had written a play about an event in Scottish history, but this play was a huge task. I would need a big team and a lot of funding. So,  I chose to start with something else, something smaller. So I wrote “*Smoke Not Included” which is a Stoner Comedy on the Stage. This play is one act, one location and four characters. What better way to bring in a new audience than putting on a stoner comedy haha.

Something we have noticed is you are very theatre focused with stage being a major part of your social media showcase, can you tell us what made this your focus as a creative? 

I’ve always been interested in theatre.  I never got to see much of it prior to being in high school, but I was always so entranced by the theatre. The sets and costumes, the actors! It’s magic! Buy a ticket, grab a drink and sit and enjoy the show. You might see a perfectly executed performance, you might see actors breaking character and causing everyone to laugh, you might even happen to see a story that touches you in a way a TV show or Movie never could. I like to say that theatre is just a live action book. When someone reads a book they can imagine what is happening and what the world may look like. Well, on the stage it is the exact same! The audience has a suspension of disbelief, you don’t need backdrops and a full room of sets. You just need the actors and a few important pieces of set or prop and the imagination of the audience does the rest. It’s great! 

“There’s also what I said before about the theatre industry in Scotland dying. I don’t think I could just stand back and watch that happen. I had to create. I had to try and show people that theatre isn’t scary, it isn’t too posh for you and it shouldn’t be too expensive.”

You recently talked about a crowdfunding campaign for your projects. Can you tell us more about the project and what is being planned?  Will you focus solely on theatre or expand into other areas of work? 

We are raising money for our first production, “*Smoke Not Included” , on Kickstarter, we still have a few hundred pounds left to raise. I couldn’t even describe this play to you if I tried, it’s quite silly, lighting and sound is used in a way to emphasise humour, there’s a lot of fun moments but at its heart, there’s a nugget of sadness. Neil, Jacko, Lauren and Aaron are our characters. They all have quite interesting relationships with each other. I won’t say too much haha. We’re currently casting for Aaron and Neil, submissions are open until 20th October. We are planning on going to the Edinburgh Fringe Festival next year as well as having a few performances in Fife. We also intend on filming the production and posting that on YouTube sometime after we finish doing the show. This is a way to combat theatre shows being short lived. We’re kind of immortalising it on YouTube haha. 

I do believe that HeadlessActing will remain working in theatre, but that’s not to say there isn’t a short film or two in the works.

What does the future hold for you and your team in media and creative terms?  What can we expect to see from you?

Currently HeadlessActing has a 4-Year plan. We aim to cast, rehearse and perform a show every year for the next four. We want to work with as many Scottish creatives that we can! I can’t say too much right now but we are working with a Scottish Artist and a Scottish Musician on one of our projects right now. We are also aiming to cover a wide range of genres. Starting with Comedy, then Horror, then History, Then Noir. If you’re following our Instagram (headless_acting) and our Twitter (@HeadlessActing) you’ll see we post updates all the time! Right now we are casting for *Smoke Not Included. We’ve received a lot of submissions and the self tapes are coming in now. We’re very excited for what the future holds.

To learn more about HeadlessActing or to support their work see:

*Smoke Not Included Crowdfunding Campaign.

HeadlessActing Instagram.

HeadlessActing Twitter.

The House of iKons September Show 2023

London fashion week is the social event of the fashion calendar with House of iKons standing high in the field with good reason, this top 6 show worldwide has become the go to event for buyers, designers and creatives of all stripes to showcase their talents to an audience that spans the globe.

“From the simple to the sublime, House of iKons has new reached new heights with The CEO of the Company Savita Kaye was honoured to receive a prestigious award from the Government of Thailand on behalf of Her Majesty Queen Sirkit of Thailand. Making this show and CEO Savita Kaye Herself an iKon of regal proportions.”

From the catwalk to the big screen, there are no limits to the range of the House of iKons show as this September has shown, there are no limits to creativity and each season they continue to outdo the last and leave the audience (in person and online) in awe.

Sponsored by Girl Meets Brush & The Fashion Life Tour.

Segment One Show

• Grand Opening: Jhay Layson 

• CLC Couture 

• Fantasma 

• Grand Finale: Love Collection 

Segment Two Show

• Grand Opening: Celebration of Thai Arts & Culture by Bangkok Event Management Co Ltd

• Kat Couture 

• D’BPHOR represented by The Fashion Life Tour 

• Jennifer Younger 

• La Petite Wardrobe 

• Hafanana represented by The Fashion Life Tour

• Postcode Fashion

• Anvi Couture represented by The Fashion Life Tour 

• AU10TIC

• Grand Finale: Stephan Russell

Segment Three Show

• Grand Opening: Zaira Christa

• TSafari

• Wanda Beauchamp

• Perry Jones represented by The Fashion Life Tour

• TAMTA

• Saima Chaudhry represented by The Fashion Life Tour

• Adrianna Ostrowska

• TUVZA represented by B20 Events 

• Shameless Opinion represented by The Fashion Life Tour

• Grand Finale: Andre Soriano

  Image credits: 

  London Show: Ram Eagle

  New York Show: Johnny Jones

  
  For further information on The House of iKons or opportunities to get involved in the show see:

  House of iKons Website.

  House of iKons Facebook.

  House of iKons Instagram.

Tea and Business With Nepal Film Productions

Something I and the rest of the team at Lost Creatives are incredibly proud of is our ties to Nepal Film Productions as a consultant, our founder and creative director JamesC works closely with the team to discuss a wide range of subjects and catch up on the latest business news from our partners in Nepal.

Our most recent discussions were done as always virtually, with JamesC taking coffee at his favourite spot and working with the team at Nepal Film Productions on some smaller concept project details with a little personal news into the bargain.

Leaders in various fields, it is always a pleasure to hear about the clientele and projects that they are involved in and offer up new options such as introductions to our own contacts such as Sons of Adonis, and New Village Video, giving the makeup artists and fellow filmmakers of Nepal access to new resources and avenues in both makeup and of course, distribution for indie film.

Nepal Film Productions are currently working a slate of exciting projects with new and regular clients ranging from the premium end of the market (Netflix and Warner Bros to name but two), as well as indie film and collaborating with film festivals to showcase new talent.

Very soon we will be working on a series of blogs with Nepal Film Production on a wide range of subjects that affect the industry and offering a deeper insight into a country that is the jewel in the crown of South Asia, a beautiful country with a fascinating history, the endless potential of Nepal is something we are always happy to showcase and in conjunction with our partners at Nepal Film Production, look at things from a different perspective than the standard vision of the country.

To learn more about the company and Nepal or what they can offer to film and TV see:

Nepal Film Production Website.

Sons of Adonis Concealer: A Kit Must Have

We are incredibly proud of our association with the Sons of Adonis range, so much so our creative director JamesC, was able to consult and is extremely grateful to have a concealer brush with his name on it as part of the collection. As a concealer aimed at the men’s grooming market we can see the advantages for both the consumer and professional and will address key aspects of this here.

With a current 3 shade range, this is a good pro starting point for mixing and will easily fit into your working kit and offer up a premium product that not only works but suits a wide range of different applications.

In what has become an increasingly HD world, men are more and more expected to be camera ready for meetings and presentations, TV appearances, film work and family photographs to name but a few occasions that are integral to life now.

Something as simple as a touch of concealer can wake up your look for an interview, or presentation in the office, and lets not forget the ever present Zoom calls that we are frequently asked for these days. Yes, I too have had to “Zoom” and give speeches and needed that little extra edge that Sons of Adonis gives to make me look respectable.

From a makeup artist perspective JamesC understands that a product like concealer needs to be pro grade (which this is) and stand up to the rigors of a shoot as well as look natural in the real world.

The Sons of Adonis range is our personal go-to for work across genres and features heavily in the work of the lost for good reason and we plan to show why with a Q and A blog with founder Shakti Sood who developed this range and has put a huge amount of time into the product to meet the needs of his clientele.

To learn more about the range or to purchase see:

Sons of Adonis Website.

Sons of Adonis Instagram.

Lukey Lukey Cream Blush Revolution

As many will know, JamesC has an obsession with blush, so when he came across the debut collection from Lukey Lukey of 4 universal shades of cream blush it was a match made in heaven.  

Luke Nolan the founder behind the colour collection has developed this to be a consumer dream and an artist must, from the chic blue packaging to the carefully curated cream colours, this brand is designed to meet artistic standards and colour theory methods while enhancing beauty with minimal fuss and maximum impact.

From a purely artistic point of view this range has the hallmarks of a bridal staple, a film/TV artist must, and an editorial plus when it comes to a working kit and throw in the potential to sell the product in your salon Lukey Lukey Blush is set to be a go-to across the spectrum.

Produced in Europe, the range may be small but has the potential to make a big impact and has the support of The Lost Creatives team as well as our own JamesC who is already plotting out looks for this spectacular blush. 

To learn more about the collection or to purchase see:

Lukey Lukey Website.

Lukey Lukey Instagram.

Lukey Lukey Facebook.

Lukey Lukey TikTok.

Time For a Change

The last few weeks have been really hard, a combination of ill health and just general contract negotiations have meant that we really haven’t had the time to update the website. However, this has been a positive overall and allowed us to really prioritize the future of the Lost as a concept.

One of the biggest things to come out of this has been our creative director JamesC has made the decision to close his current portfolio website, we have maintained control of the domain name, and will be starting from scratch with a new fresh work in conjunction with a select number of very good photographers hand picked from a list of contacts and sources, the images from which will be submitted to publications.

We are also looking at reshuffling all the domains we own and bringing a more mixed media focus to our work with films of varying lengths and commercial status being worked on to change the very restricted state we are in.

Over the next month there will be more updates and galleries showcasing fresh work and taking the whole Lost concept back to basics and putting the energy where we want it to be as a whole with a focused print/digital fashion portfolio and a slate of smaller video projects that have been carefully researched and plotted around our requirements for festivals.

More updates will be released soon.

Talking Politics and YouTube With That Preston Journalist

Building on his early success, Ashley aka That Preston Journalist, has opened up to The Lost Creatives about his journey as a podcaster and journalist in the YouTube sphere.

Since we first talked to you about your You tube channel and political commentary, what has changed for you as a podcaster and how has that affected your channel? 

When we first spoke, my channel was very much in its infancy. Since then, it has grown bigger than I thought and continues to pick up around a thousand new subscribers each month. As a result, it no longer feels like a hobby or a past time, it is now something that is very much part of my daily routine. As the audience grows, the content I put out has to be taken more seriously as well. When I first started, I was talking to maybe 100-500 people, now the channel generates 50,000-100,000 views per day so it has to be good. 

Working to YouTube restrictions on what you can talk about is difficult, but when it comes to politics, most things are OK. I have also been asked by other channels to appear with them as well which I have done on many occasions, but the main passion is always with the daily content. 

“It is also quite nice to be recognised by people in the street, I am by no means a celebrity, nor do I wish to be, but it does happen sometimes and it is always nice to hear that someone enjoys the channel because it takes up so much time and a lot of effort goes into it.”

One of the things that stands out about your work is you talk from a working man's perspective rather than the usual political bubble stance. What do you think makes this important and how can people be more involved in the discussions? 

One of the biggest compliments I get is that I am a working class man from a working class background. I am not part of the establishment, I live and work in the same streets and towns as the people who watch me, this means I am far more relatable than someone sat in a studio in London who knows nothing about life outside the M25. 

I am very lucky to have an active audience who leave thousands of comments on my channel every week. Its fantastic to see so many people engaged, it shows that the content is interesting and thought provoking, which is exactly what I want. Also, in terms of YouTube, the more comments and interaction you get, the more it aids the channel algorithmically.

Are there political aspirations in your future or do you have other goals in mind that you can share with us?  

I have harboured political aspirations in the past, but to be honest, I, like many millions of people in this country, am politically homeless. This, I feel, helps the channel because it gives me some impartiality. I can never say never about maybe standing for a party one day, but it won’t be any of the current parties, they all represent the same things and do not represent me. 

I would like to do further media work, perhaps radio or even TV discussion shows, but they are such a closed shop to anyone who isn’t, or hasn’t in the past been a part of the media scene. I am in no hurry to do either really, my channel gets more views a day than some organisations who spend millions of pounds on presenters etc… such as GB news and Talk TV. IF any opportunities did come my way, there is no way I could sacrifice my YouTube channel, it has taken a lot of dedication and hard work to build it up to the position it is in now and I wouldn’t throw it away for anyone. 

What message would you like to convey to your viewers and potential viewers in terms of what you are doing as a podcaster highlighting the political realm?  

The idea of starting the channel came to me because I was so frustrated with the group-think media we have in the UK. Whoever you watch on the TV, whether it be the BBC, ITV, SKY etc… They all say and think the same things, it's just a big echo chamber. 

I wanted to present a different side to politics in this country, what I would consider to be the opinions of the silent majority who are not represented, but these are the people who decide elections, they deserve to hear news from all different aspects. 

If anyone reading this is wondering whether or not to give it a watch, I would ask them to ask themselves, do you believe everything you are told by the mainstream? Is there not another point of view out there to consider? If the answer is yes, then my channel is the place for you. 

I discuss all sorts of subjects in relation to politics and try to remain impartial most of the time, but I do it with passion, so the impartiality lapses sometimes, but I feel that adds character to the videos and debates. Some people who watch my channel don’t even agree with me most of the time, but they keep watching, so I guess that means I am doing something right, if people keep coming back for more, the content must be worth watching. 

To learn more or to subscribe to “That Preston Journalist” Channel see:

That Preston Journalist YouTube.

That Preston Journalist Twitter.

Project Notes

A habit our creative director JamesC picked up when living in India that we are actively pushing again, is keeping a notebook and pen to hand, ideal for writing down phone numbers or emails, sketching ideas for photos or as we know he did frequently, outlining plots for TV or film projects.

JamesC has in the last few weeks come up with ideas that will work as short films for festival entry or expanded into a much longer concept that need to be padded to suit the plans for 2023.

Festivals are going to be a very heavy focus of the work ahead, we have spent a lot of time checking options of annual, quarterly and by far our most favoured, monthly film festivals that take film and photo projects.

Of course our favourite book for filmmakers “Don’t F*ck Up Your No Budget Film” by Ivan Peric, plays a heavy part in our thinking because this insightful first hand account of low budget creation is designed to shape your work into a commercial project and works well with our own thinking and add to this the very savvy and again, first hand account of Patricia Jones book “Opening Doors for Working Class Actors” which when combined with Ivan’s book has the scope to create a great combination and open up the projects we have to fresh talent and with the right focus and marketing (kept within a budget) see a series of smaller films and Web TV projects built with a commercially viable slant that will benefit all involved.

We will be using the Vshowcards site for casting and actively encourage people to check them out not just because we think it is a fantastic network site, but for the various casting calls that are available.

Expanding notes on our plan will be slow released through the blog and we will be working hard to get this push running with the Lost Agency supporting it and of course led by our own JamesC who will be front and centre with upcoming interviews including the Behind The Scenes Podcast, amongst the other elements at play.

Stay tuned for more updates and sneak images of our notes.

The iKons Return in 2023

As we move into 2023, The House of iKons is gearing up for their first showcase of the year. A creative spectacular of talent in design, makeup, and backstage talents of all stripes, being part of the iKons show is a step in fashion that no one wants to miss.

“Known as a platform for talent, The House of iKons is the ticket to have, the place to be seen, and the show to work for those established or entering the fashion arena.”

With their connections to the global stage (a top 6 show worldwide for the independent fashion scene), their ties to Royal households including the prestigious and forward thinking Thai Royal family, have taken the show from its London base to a global stage bring designers and talent from across the world to the table and giving them a unique voice in the fashion world.

The February show is the first stage in the calendar that this year features a spectrum of creative talent and as always will be open to new people who want to add to their CV with prestige.

Schedule for Show Saturday 18th February 2023

Networking & Exhibition Starts  from 12.00pm till 8.00pm:

Exhibition doors open from 12.00pm:

• Vip 360

• Raaj K Asthetics 

• Love Collection 

• PamPinay 

• AveriStar

• Fantasma

• JCIDEL

• Park Pharmacy 

• Zilli Coffee

• Nacharee Thai Kitchen 

• Zaira Christa 

• InfiniteAloe

• Tawa sponsored by Nydia Crick

Fashion Show: Segment ONE 2.00pm

• GRAND OPENING: Love Collection

• Adriana Ostrowska

• DNB Couture represented by The Fashion Life Tour

• JCIDEL

• Hafanana Swimwear represented by The Fashion Life Tour

• DivaBigg

• Music Performance: Anya Kay

• Jhay Layson

• The Fashion Life Tour

• Therese Marie Collection

• Apple World Collection

• Love Collection

• Andre Soriano

• GRAND FINALE: Yalacity supported by HM The Queen Sirkit of Thailand Department of Agriculture 

SOLO SEGMENT - DivaBigg 4.00pm

Premier of Documentary - ‘Fat is Fashion’ & Fashion Show of DivaBigg collection.

Fashion Show Segment TWO 5.00pm

• GRAND OPENING: PIMPA Paris 

• Fantasma

• Chavez

• Jhay Layson

• Maria Mahlmann MM REMIX

• Music Performance: Myles Smith

• The Fashion Life Tour CLC Couture

• The Fashion Life Tour

• Links by Gwen

• Adriana Ostrowska

• Music Performance: Cooper Phillip

• Pam Pinay

• Perry Jones represented by The Fashion Life Tour

• Zaira Christa

• Tawa sponsored by Nydia Crick

• GRAND FINALE - Will Franco

To learn more about The House of iKons, or to book tickets see:

House of iKons Website.

House of iKons Instagram.

House of iKons Facebook.

House of iKons Tickets.

Image credits: Mark Gunter, Ram Eagle, Mok Photography, @ch_photoz, Jessica Smith, @mtuck1967, @jalb_films, Mariana London, Andreas Münchbach, Alfred Brandl.

Reaching Out in 2023

As we are in the first week of a new year, the lost creatives team has been making really positive moves and reaching out to not just new people but spending time talking to old friends in the realm of photography to discuss potential studio and location shoots.

With our first official telephone meeting of the year now done, we are very excited by the potential of what is being proposed and can start really taking stock with a view to moving our own brand forward.

New in the mix is creative director Jamesc, who wants to do not just horror based shoots but go back to freestyle painting (inspired by the amazing makeup artist Linda Mason) for editorial and showcase once again, his creative talents.

Over the coming weeks we will be releasing more news and updates including interviews with actors, producers and other creative talent.

Welcome to 2023, lets make it a good one!

Talking Books and Films With Ivan Peric

Over at The Lost Creatives, we are big fans of Ivan Peric and his book on filmmaking, taken from his own experiences and offering a solid plan for making and selling your work that resonates with our team. We are extremely thankful that he took some time out of his schedule to talk to us and open up about what he has been doing since the launch of “Don’t F*ck Up Your No Budget Movie!”

You are returning from a break after the release of your successful and lauded book “Don’t F*ck Up Your No-Budget Movie!” What have you been doing in that time that you can share with us?

Thanks for this question as it touches upon something that we don't often hear about, and that's taking ''breaks". Taking the time to not do anything and just relax. You scroll down your social media feed and all you see are people pushing the ''hustle'' and "grind'' lifestyle, it's rare you see someone talking about taking it easy and pacing yourself.

“The reality is that everyone needs to take breaks every once in a while in order not to burn out. This is especially true for us artists and digital creators.”

Most of us have full-time jobs and families, so all the extra work we put into our projects ends up taking a toll on our bodies. Just like any car, it doesn't matter if you use it for work or leisure, the mileage always accumulates. So that's what I did, I just took a break from it all, acting, writing, producing...My agent was sending me auditions and I just couldn't get myself to do them. I was physically and mentally drained.

I had written DFYNBM during the pandemic, the editing process was a lot of work and a lot of back and forth with the editors, then the publisher released it pretty quickly so I had to be on my toes and start promoting it right away.

With the uncertainties of the pandemic, everyday life at work, and writing this book, I never got to take a step back and refocus. After a few months ''off'', I now feel great and motivated to continue working on my plans for this book and other projects!

You have spoken quite openly about how your workflow has changed thanks to your experiences in filmmaking, taking you from actor to director/producer to give you control over your projects, how has this affected your style as an actor overall, and is it a method you would recommend?

Yes, I would definitely recommend any actor to pick up a camera and produce something themselves! It's the best experience and you get to see through the eyes of a producer and director. For me, understanding the process gave me much more confidence as an actor.

Once you get to understand how things work, you put much less pressure on yourself. Most young actors are very self-conscious, always wondering what everyone on set thinks of their performance. I was like that, always looking for that validation. By becoming a director yourself, you get to understand that performing is not that complicated and it often doesn't take that much of a ''performance'' as some actors might think.

It definitely grounded my acting style. Every subtle moment is blown up by 1000% on the screen, so it made me understand that less is more because the camera catches everything. You also get to understand the point of view of the director much more.

I remember being a young actor and being devastated by any notes a director would give me after a take. I would take it personally and couldn't understand why the director didn't like my performance. But the truth was that the director never disliked my performance, he just wanted to see something different and push me as an artist. Producing also makes you appreciate every single person on set. You see and understand that everyone has an important role in a production. You just respect everyone more, and out of that respect comes better performances because you want to contribute as best as you can to the project.

What is next for you in the creative arena? Do you have any new projects planned? Will
you be taking your method on the road and teaching the Ivan Peric method of filmmaking?

Every time I come back from a break I want to do it all! I feel inspired to act, write and produce! But I know I will have to focus on one thing at a time. I wasn't 100% satisfied with my book launch as it was rushed by the publisher and I didn't have much time to market it before I had to take a break. So the first thing on my list is to continue to push my book and get it out there to as many people as possible. Yes, one of the ways I will be doing this is by starting workshops for aspiring filmmakers. I would love to have seminars all around the world and inspire others to start making their own movies.

My main goal with DFYNBM was to inspire people who might not have a big budget, or any budget at all, to produce their own feature films. I believe these seminars can complement the book very well by being not only inspiring but also informative and entertaining.

I have so many stories and anecdotes I would love to share that didn't end up in the book! I will start locally here in Montreal, then hopefully expand to the rest of Canada and the US. The next goal after that would be to go overseas! I will also slowly get back into acting. I already have a few auditions lined up that seem like fun. There are also some unfinished scripts I'd like to work on and hopefully produce.

What advice would you offer anyone entering the film or TV arena as an actor, producer, or director?

Make sure you are getting into it because you absolutely love it. Don't do it for some kind of fame or fortune because there is a 99.9% chance you won't get it. Do it from your heart and not your ego. Take classes/workshops, and learn as much about your craft as you can. Watch a lot of movies and shows!

There is a lot of great content out there and so many outlets where you can expose your work. There is no excuse these days, the technology is affordable and platforms are always looking for fresh ideas. Finally, just do it! Pick up your digital camera or iPhone and just go out there and shoot. If you're an actor, record yourself doing scenes or shoot skits to keep yourself sharp, and never give up!

To learn more about Ivan Peric and his work or to purchase his excellent book see:

Ivan Peric Website.

Ivan Peric Instagram.

Ivan Peric Facebook.

Ivan Peric Twitter.

Ivan Peric Youtube.

Don’t F*ck Up Your No Budget Movie! Amazon UK.

Don’t F*ck Up Your No Budget Movie! Amazon USA.

Working The Makeup Dept Budget With Desired FX

In the world of film and TV, budgets can be the biggest constraint alongside time, to the creative process. For the makeup department often this means we have to search out cost-efficient options to create a particular look or downgrade the process to fit the money available, thankfully, there are services like Desired FX that can help with this and give you a budget-friendly, professional add-on to your kit that will push the department ahead.

From silicone wounds to scars, tattoos including bruising and standard designs, Desired FX offers up a range of products that will work for most scenarios and even offers a studio custom service to allow further scope for creativity on a budget.

With increasing options in the digital market from Amazon to HOD TV (Horror on Demand), the indie film sector has never been so popular with the on-demand film/TV sector becoming bigger year on year, but budgets being tight in the circuit, having the option of a team like Desired FX who can provide cost-efficient options for the FX department, there is scope to bring a different dimension as a department head working smart with the available funds.

To learn more about Desired FX or to purchase see:

Desired FX shop ( 10% off on all products with the promo code "JamesClark10")

Desired FX Instagram.

Desired FX Facebook.

Introducing Nikko Turner

Finding her place in the world of media, Nikko Turner is a fresh face in the industry and already making waves with her collaborations. Here we talk about finding her feet and entering the industry as and assistant director and her future plans.

Can you give us some background on yourself and your career to date?

Personally, I am only just starting out in the industry - I’m currently studying film at university, but I’m aware there’s only so much I can learn through my course so I’m trying to get as much hands-on experience as I can. That’s how I met Wolf and Alex, working on a student-led film before we reached out to professionals in the industry which led to us meeting Tequila.

Indie film commonly requires that crew multi-task, have you found yourself working more than one role on a project and what do you feel you have learned from that?  

The roles I typically have on a film are producer and AD, but I have recently directed a 5-minute film and I’m working towards trying out other aspects of filmmaking too. Despite my typical roles the duties I take on often expand through a few departments - on our first film ‘Ellipis’ for example, I was also involved in set design, props, and costume. Doing this is allowing me to gain a lot of knowledge across varying elements of film production and it has given me a better understanding of how each of these pieces fit together to create the final outcome.

You are part of a newly formed film production team, what is your role and what is the plan for the company?  

What we’re trying to do is create a dependable means of filmmaking, through building up connections, improving our skills, and evolving as filmmakers. We’ve found that we work really well together which is why we’ve formed this company, to grow together and learn from each other. It gives us an opportunity to try new things, whether that be roles we’re unfamiliar with or new styles and approaches to filmmaking. The ultimate plan is that we will be able to create bigger films; we aspire to be able to have the skills and resources to work on projects and ideas that are currently unfeasible.

What advice would you offer to people looking to enter the arena of film and TV in the digital market?  

“I’ve found that building connections and expanding your network is one of the most important aspects of filmmaking.”

Making use of social media has been an effective way of connecting with people, finding cast and crew to work with on projects, and getting these projects seen - the digital age has really increased accessibility into the film industry, and I would recommend making good use of online platforms to reach likeminded people.

To learn more about Nikko or the Dead Origami Films team see:

Dead Origami Films Twitter.

Dead Origami Films Facebook.

Dead Origami Films Instagram.

Dead Origami Films Youtube.

*Images from the 48-hour film challenge project “Hear My Voice.”

Talking Film and Starting Out With Alex Chalatsis

As part of the upcoming new team and production house Dead Origami Films, we have been lucky enough to talk to Alex Chalatsis about his entry into the industry and what his plans are for the future.

Can you give us some background on yourself and your career to date?

I’m from Greece and currently studying Drama & Theatre at Royal Holloway University because I think England is the best country on this side of the Atlantic to pursue this dream and eventually work in the entertainment industry. I am currently working on productions laid by Dead Origami Films and really enjoy my time there, working with equally passionate people to create something we are truly proud of. My resume is still relatively small mostly due to my age, but I am working on enriching it with quality projects as the years come.

Indie film commonly requires that crew multi-task, have you found yourself working more than one role on a project and what do you feel you have learned from that?  

 Yep, crew multi-tasking is a thing alright… I have done my fair share already. It really showed me how much useful it is for a filmmaker to be informed about everything because they are all connected, and I am interested in walking that path, learning about everything as much as I can. Filmmaking feels like cooking in some ways to me. You have a lot of separate ingredients that you try to figure out the correct amount to put in and make a tasty dish. You better know what each ingredient is and does!

You are part of a newly formed film production team, what is your role, and what is the plan for the company?  

 I’m fortunate enough to have found like-minded people with a similar vision of what they want to do in the future. The plan as of now contains 5 short films. Our current one is “Brutus” which is a modern adaptation of William Shakespeare’s Julius Caesar (Act I, Scene II). Next, we’ll be doing “Garmr”, which is going to be the surrealistic exploration of a deranged WWII sniper. After which we’ll be doing two more modern adaptations of Shakespeare’s “Macbeth” and “Romeo & Juliet”, and finally “Iscariot: House of the Red Door”, all of them challenging and exciting in their own ways, building us up to our first feature film planned for 2024.

“My role in all of these will vary since I’m interested in various roles in filmmaking and still trying out and willing to learn new stuff, so I will be a little bit everywhere, I guess… I like to be involved in films and keep myself busy, I really enjoy it.”

What advice would you offer to people looking to enter the arena of film and TV in the digital market?  

I think I still haven’t broken into that “arena” myself to advise others in the first place, but I would say be nice to others. It’s advice that would be helpful in life in general and regarding filmmaking, connections are really important since you end up spending a lot of time with each other on set, it would be better if you get along! I hope in a few years I will have a more insightful answer.

To learn more about Alex and his upcoming work with Dead Origami Films see:

Dead Origami Films Twitter.

Dead Origami Films Facebook.

Dead Origami Films Instagram.

Dead Origami Films Youtube.

Monsteer Artistry Brings Their Vision To The Stage

One of the best places to earn your craft as an actor, director, or crew has always been the stage, and Monsteer Artistry has taken this notion and run with their new play “The Feeling” which debuts at the Union Theater London on the 8th of September.

“A solid comedic piece about relationships, alcohol, and betrayals. the technical team has been working hard on the play alongside a stellar cast to create a play that is already getting attention from across the scene.”

We will be talking about the story, the work behind it, and of course the various elements of the setup (with a full show review coming soon). Combining the talents of the backstage with a fantastically written story by Monsteer Artistry’s own Kyra Jessica Willis, The Lost creative team is solidly behind this show and happy to be talking about the show, the process, and of course the hard graft it takes to make a play happen.

To learn more about the show or Monsteer Artistry see:

The Feeling” Union Theatre.

Monsteer Artistry.

Patricia Jones: An Actors Journey

Patricia Jones has created a stellar career as an actor and is now the author of the book Opening Doors for Working Class Actors.  We wanted to gain a little more insight into the career, and thoughts of this stellar actress and how she came to be where she is. 

can you tell us more about yourself and your career path as an actress?  

I always knew that I wanted to be an actor from a very early age so in a way it was easy for me to know where I wanted to be. I didn’t go to drama school due to lack of funding which was in grant form at that time but started to chart a career for myself in fringe and small-scale productions in London in order to build a cv for myself. I eventually landed some good theatre work and then was offered a regular role in the TV series ‘Byker Grove’ where I stayed for four years. This was an amazing opportunity to learn my craft and to meet many different directors who I subsequently worked with again on various shows and this was how I began to build a television career. I took a break when I hit my forties thinking that work was getting scarce but returned 10 years later and started again. I think that if I had my time again I wouldn’t have taken that break. I am not sure I believe it is true about actresses getting less work as they age. I think you just have to stick with it. Stay at the top of your game and be patient. Things are beginning to change slowly and it’s important to give a voice to the stories of older women.

You have worked a wide range of roles over the years, and secured some interesting parts, would you say the industry has changed over the years and if so how? 

In a way, I think the industry is much more open now. With the advent of online casting sites and workshops for actors there is much more opportunity to be present, practice your craft and meet casting directors and agents. We are learning to take more care of our health and wellbeing as artists which is hugely important and didn’t exist at all when I was starting out. Social media platforms can offer access to casting information to everyone regardless of training and makes the industry more accessible to those starting out. Casting Directors are now more accessible too. Back in the day, there was the idea that they were gatekeepers in ivory towers but that is changing too now. This is not an easy profession for sure, but if you run yourself like a business, stay in touch with what is going on, and take action to promote yourself, it is not impossible to create a career. Staying positive and having an interest outside of the business is essential. Purely defining yourself through acting is not healthy or helpful. Finally, stick with it. This has always been the case and always will be so get ready for the long haul. Enjoy it and if you stop doing so, get out and do something else. The going can get tough so you need to love what you are doing.

Your new book Opening Doors for Working Class Actors touches on your own journey but also looks at alternative paths to entry into the industry, what was the impetus for you writing the book, and what is your plan for the future? 

The book came out of the lockdown and the online workshops I attended during that time. Casting directors and agents were really open and helpful and I noticed a lot of the same questions coming through time after time about headshots, showreels, self-tapes, etc and I thought, why not put all this together in one place for those starting out? Although the title aims the book at working-class actors it is in fact for anyone who wants to enter the industry and doesn’t necessarily have the financial resources to go to a traditional drama school. The idea for it, going forward, is that it will be updated on an annual basis with new courses, workshops, and information. I am in contact with organizations throughout the UK with the intention of keeping the book relevant and useful.

Is there a role in film/TV/theater you would love to tackle as an actress?  Is there a particular genre you would like to enter into from a purely acting stance?  

I can’t say that there is a particular role I am desperate to play but I would like to be seen as a vital part of the stories and representation of older women in theatre and television. There is a wealth of untapped experience to draw from here and I would very much like to be part of that narrative.

To learn more about Patrica Jones or to purchase her book see:

Patricia Jones Twitter.

Patricia Jones Spotlight.

Patrica Jones Management team.

“Opening Doors For Working Class Actors" Amazon UK.”